October 15-24 The Oriental Theatre

You Can See Everything

DCP Documentary
R 2026 Nathan Fielder, Lance Oppenheim 174m

Showtimes

Thursday, October 15, 2026

6:00PM Oriental Theatre - Abele Cinema (Main)
9:00PM Oriental Theatre - Lubar Cinema (West)

Friday, October 16, 2026

2:15PM Oriental Theatre - Abele Cinema (Main)
6:00PM Oriental Theatre - Abele Cinema (Main)
9:15PM Oriental Theatre - Lubar Cinema (West)

Saturday, October 17, 2026

11:00AM Oriental Theatre - Lubar Cinema (West)
2:15PM Oriental Theatre - Abele Cinema (Main)
6:00PM Oriental Theatre - Abele Cinema (Main)
9:15PM Oriental Theatre - Lubar Cinema (West)

Sunday, October 18, 2026

11:00AM Oriental Theatre - Lubar Cinema (West)
2:15PM Oriental Theatre - Abele Cinema (Main)
6:00PM Oriental Theatre - Abele Cinema (Main)

Monday, October 19, 2026
Everyone's a member mondays!

6:00PM Oriental Theatre - Abele Cinema (Main)

Tuesday, October 20, 2026

6:00PM Oriental Theatre - Abele Cinema (Main)

Wednesday, October 21, 2026

6:30PM Oriental Theatre - Abele Cinema (Main)

Thursday, October 22, 2026

5:30PM Oriental Theatre - Abele Cinema (Main)
9:30PM Oriental Theatre - Abele Cinema (Main)

Friday, October 23, 2026

8:45PM Oriental Theatre - Herzfeld Cinema (East)

Saturday, October 24, 2026

11:00AM Oriental Theatre - Herzfeld Cinema (East)
8:45PM Oriental Theatre - Herzfeld Cinema (East)

Description

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Year
2026
Length
174 minutes
Language
English
Rating
R
Country
United States
Directors
Nathan Fielder, Lance Oppenheim
Producers
Lance Oppenheim, Nathan Fielder, Tatiana Bears, Maggie Ambrose, Jack Davis
Starring
Elizabeth Holmes, Nathan Fielder, Billy Evans
Cinematographer
David Bolen
Editor
Adam Locke-Norton
Composer
Ari Balouzian
Production Design
Alex DiGerlando

The Pitch

For how disquieting it is, the film never goes too long without forcing a laugh.

Indiewire Cortlyn Kelly