Days of Being Wild

Wong Kar Wai’s breakthrough sophomore feature represents the first full flowering of his swooning signature style. The first film in a loosely connected, ongoing cycle that includes In the Mood for Love and 2046, this ravishing existential reverie is a dreamlike drift through the Hong Kong of the 1960s in which a band of wayward twenty-somethings—including a disaffected playboy (Leslie Cheung) searching for his birth mother, a lovelorn woman (Maggie Cheung) hopelessly enamored with him, and a policeman (Andy Lau) caught in the middle of their turbulent relationship—pull together and push apart in a cycle of frustrated desire. The director’s inaugural collaboration with both cinematographer Christopher Doyle, who lends the film its gorgeously gauzy, hallucinatory texture, and actor Tony Leung, who appears briefly in a tantalizing teaser for a never-realized sequel, Days of Being Wild is an exhilarating first expression of Wong’s trademark themes of time, longing, dislocation, and the restless search for human connection.

"Every shot is perfectly composed and compelling, with light and shadow manipulated to maximum effect."
- San Francisco Chronicle
"There are images in Days that can make your heart stop for no other reason than that they're perfect."
- Boston Globe


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About Milwaukee Film

Milwaukee Film is a nonprofit arts organization dedicated to entertaining, educating, and engaging our community through cinematic experiences. We operate the magnificent Oriental Theatre, a historic cinema palace committed to high-quality and accessible film and education programming. Since 2009, the annual Milwaukee Film Festival has brought together film fans and filmmakers to celebrate the power of cinema. Our education programs and Cultures & Communities platform provide avenues toward making our community a more empathetic and equitable place for everyone to live.

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