We couldn’t be more excited to announce our newest MFF program–Black Lens. Featuring work from both emerging and established African American filmmakers, Black Lens showcases eight fiction and documentary films that put the focus on the black community.
Black Lens was co-programmed by Geraud Blanks and Donte McFadden, longtime friends and former film school classmates at the University of Wisconsin-Milwaukee.
“The goal with Black Lens was to directly spotlight African American filmmakers, not just films with black-related subject matter, but actually bring to light the creative individuals behind the films. We also hope the program acts as a strong outlet that magnifies this cinematic work, broadens the audience for such work, and–over time–becomes a catalyst to inspire black filmmakers both locally and internationally,” explains Geraud.
In addition to an already amazing and award-winning lineup is the 1987 classic, Hollywood Shuffle, presented on 35mm. The hilarious satire will be presented with director, writer and star of the film himself, Robert Townsend! You will not want to miss it.
Learn more about Black Lens–read the press release here.
2014 MFF Black Lens lineup (click film titles to view trailers):
2014 MILWAUKEE FILM FESTIVAL
We are proud to present this new program featuring work solely from African American filmmakers. Fiction and documentary stories from both emerging and established voices put the focus squarely on the black community.
25 to Life
(USA / 2014 / Director: Mike L. Brown)
William Brawner, infected as a child with HIV and sworn to secrecy by his mother, is finally coming clean. A bracingly fresh look at life with HIV/AIDS in the U.S., 25 to Life chronicles Brawner’s attempts at redemption after a life spent hiding from himself. He reaches out to those with whom he had sexual contact in the past in search of redemption for his promiscuity and in the hopes of starting a new life (with his HIV-negative wife) predicated on openness and honesty. A powerful testament to the human spirit, this American Black Film Festival Best Documentary winner examines the lengths we will go to start anew.
(USA / 2014 / Director: Alton Glass)
Twenty years after a tragic accident split them apart, four high school friends begin a journey of forgiveness and redemption, with a reunion that reveals secrets kept both in the past and the present that threaten to tear them apart forever. Achieving an unprecedented feat (Actor, Screenplay, Director, Audience AND Best Feature Film awards) at the American Black Film Festival, CRU is a stellar drama focused on four friends divided by their past that desperately need one another to survive their present and make for a better future.
Evolution of a Criminal
(USA / 2014 / Director: Darius Clark Monroe)
In 1997, 16-year-old Darius Monroe and two friends robbed a suburban Houston bank, only to be caught and spend three years in prison. Nearly 15 years later, Darius returns home in an attempt to heal the lasting emotional scars that his decision wrought and seek forgiveness from those whose lives he irrevocably altered. Through a blend of candid interviews and unflinching reenactments of that fateful day, Monroe has made a powerful and brave piece of filmmaking (winner of the Grand Jury award from Full Frame Documentary Film Festival) that seeks to explain how an honors student could make such a choice and the process of making amends with the victims of that unforgettable day.
(USA / 2014 / Director: Stanley Nelson)
A portrait of a tipping point in our country’s history from MFF alum Stanley Nelson (Freedom Riders, 2010), Freedom Summer places us in the middle of 1964 Mississippi, the most segregated state in the Union at that point in time, and provides a penetrating glimpse into the social unrest and far-reaching effects of that fateful summer. Rare archival footage and interviews with participants on both sides of the conflict bring to life the influx of over 700 student activists into Mississippi working tirelessly to register African-American voters and form Freedom Schools and Freedom Houses to teach and aid the community while helping to spark the flame that ignited the national rise of the civil rights movement.
(USA / 1987 / Director: Robert Townsend)
Robert Townsend inspired an entire generation of filmmakers with this classic Hollywood satire (co-written by and co-starring Keenan Ivory Wayans), a semi-autobiographical portrait of a young black actor attempting to break through in an industry that only seeks to cast him as a criminal, slave, or gangster. Townsend’s DIY independent filmmaking exposes the lack of substantive roles for African Americans in the film industry (a problem still plaguing us today) through a series of hilarious sketches where he fantasizes himself as the lead in a number of different genres while facing the grim reality of hustling for a role in the decidedly nonprogressive Jivetime Jimmy’s Revenge.
Things Never Said
(USA / 2013 / Director: Charles Murray)
Spoken-word poet Kal longs to have her voice heard, with aspirations to perform on the biggest stage for spoken-word poetry in New York City. Haunted by a past miscarriage and troubled by an abusive and controlling marriage, she seeks an outlet for the words that need to pour out of her. She finally finds such a source for her creativity in fellow troubled poet Curtis. A tentative relationship is struck with the specter of her jealous husband hanging over the proceedings in this moving romantic drama filled with electric spoken-word poetry and powerfully relatable performances.
Through A Lens Darkly: Black Photographers and the Emergence of a People
(USA / 2014 / Director: Thomas Allen Harris)
Since its invention more than 175 years ago, photography has played an important role in documenting and shaping the African-American experience. It’s been used as both an instrument of oppression and a tool for social change, all the while defining and shaping images of “black” or “blackness” in American popular culture. Thomas Allen Harris’ film exposes hidden histories in these photographs, with contributions from Carrie Mae Weems, Anthony Barboza, and many others, showing the medium’s prevalence in chronicling a history from slavery all the way to the White House.
‘Til Infinity: Celebrating 20 Years of the Souls of Mischief
(USA / 2014 / Director: Shomari Smith)
Twenty years after its release, Souls of Mischief’s 93 ’til Infinity remains a critically acclaimed release in the annals of rap music, a game-changer whose reverberations can still be felt in the music industry to this day. A veritable who’s who of the hip-hop world (Mos Def, Del, and Questlove, to name but a few) is on hand to testify to the lasting power of Souls of Mischief’s work (including their legendary demo tape), along with an in-depth examination into the creative process and personal stories of these members of the Hieroglyphics crew, highlighting their business model that proved far ahead of its time (eschewing record label support to instead forge their own path).